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KarlH
Joined: 17 May 2007
Posts: 78
Location: Melbourne
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Posted: Wed Aug 29, 2007 6:41 pm Post subject: To sign or not to sign? |
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Lately I have noticed artists are signing their paintings with large signatures. In a number of works I have seen lately I thought the signature demaged the painting by overpowering the subject. I just wondered if there are any hints on the correct signing of work??
I have a framing friend who said to keep away from the outside edges by about 1/2" to aviod the frame from obscuring the signature.
I had the impression that the signature should not be legable from the normal viewing distance but clear from about 12". Am I wrong?
Is it ok to keep signing the back of my work or will someone one day sign their own name and steal credit for painting it?
KarlH |
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The Pook
Joined: 01 Feb 2007
Posts: 2904
Location: Tasmania
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Posted: Wed Aug 29, 2007 6:52 pm Post subject: Re: To sign or not to sign? |
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| KarlH wrote: |
Is it ok to keep signing the back of my work or will someone one day sign their own name and steal credit for painting it?
KarlH |
Depends how famous you think you're going to become!
Surely it's like anything else in art - how can there be an absolute answer to this? Different signing techniques will work better with different styles, genres, mediums, sizes, etc. It's largely a matter of personal taste. I still haven't come up with a definitive signiature for my paintings that I like so much I will use only it from now on, so I'm probably not the best person to give advice, but I don't think there's anything wrong with continuing to sign the back if you think a signature will detract from the work. Sometimes I sign on the painting, sometimes I don't, especially on very small works. |
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Annee
Joined: 28 Jun 2007
Posts: 109
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Posted: Wed Aug 29, 2007 10:13 pm Post subject: Re - To sign or not to sign? |
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Hi Karl,
Here in Coffs we have the annual Lillipilli Art and Craft Exhibition around April. It's getting pretty big. This year a few judges, from different categories, commented on signatures being too noticeable, large or dominant. Some were, others I didn't agree. As long as they don't become the focal point or compete with the subject, surely it's okay to sign your name.
I don't make mine too big and I use a colour that exists in the painting, rather than introduce a new colour. I've also used different styles of signature because I think it suits the painting better, ie. I don't have one signature. My watercolour signatures have a more handwriting look and my acrylic ones are thicker and heavier because of the brush, sometimes cursive and sometimes uppercase, depending on the look of the painting. I don't date them on the front.
Also the photography judge said photographs shouldn't have a signature at all. Some had digital ones and some regular signatures. Does anyone know what is correct?
Cheers, Annee |
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Omphaloskeptic
Joined: 23 Apr 2006
Posts: 855
Location: Merimbula
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Posted: Thu Aug 30, 2007 7:59 am Post subject: Re: To sign or not to sign? |
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| KarlH wrote: |
Is it ok to keep signing the back of my work or will someone one day sign their own name and steal credit for painting it?
KarlH |
The credit for painting it is established by you painting the work, not the signature.
How you sign is a matter a personal taste. I usually sign my works on the back now for a number of reasons. The main one is to not take credit for something I didn't do, but also is that I feel the signature can detract from the visual integrity of the piece.
When I do sign I now use the initials 'db'. If on the front I keep it small and use a harmonizing colour so as to be not readily noticeable. Anyone who knows me well will understand why this particular signature doesn't contradict the 'not taking credit' principle. |
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The Pook
Joined: 01 Feb 2007
Posts: 2904
Location: Tasmania
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Posted: Thu Aug 30, 2007 12:40 pm Post subject: Re: To sign or not to sign? |
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| Omphaloskeptic wrote: | | When I do sign I now use the initials 'db'. If on the front I keep it small and use a harmonizing colour so as to be not readily noticeable. Anyone who knows me well will understand why this particular signature doesn't contradict the 'not taking credit' principle. |
Would that be the same as the intials SDG? |
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Omphaloskeptic
Joined: 23 Apr 2006
Posts: 855
Location: Merimbula
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Posted: Thu Aug 30, 2007 1:01 pm Post subject: Re: To sign or not to sign? |
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| The Pook wrote: | | Would that be the same as the intials SDG? |
Absolutely |
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KimO
Joined: 06 Feb 2007
Posts: 1470
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Posted: Thu Aug 30, 2007 5:31 pm Post subject: Re - To sign or not to sign? |
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Sorry Om & Pook, I don't understand - what is the meaning of the initials SDG & why is DB OK when you don't want to sign your name ? |
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Omphaloskeptic
Joined: 23 Apr 2006
Posts: 855
Location: Merimbula
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Posted: Thu Aug 30, 2007 5:59 pm Post subject: Re: Re - To sign or not to sign? |
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| KimO wrote: | | Sorry Om & Pook, I don't understand - what is the meaning of the initials SDG |
SDG ->Soli Deo Gloria -> To God Alone the Glory |
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KimO
Joined: 06 Feb 2007
Posts: 1470
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Posted: Thu Aug 30, 2007 6:24 pm Post subject: Re - To sign or not to sign? |
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| Ahhh! I see - and why is it you feel signing db doesn't 'take credit'? |
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Omphaloskeptic
Joined: 23 Apr 2006
Posts: 855
Location: Merimbula
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Posted: Thu Aug 30, 2007 6:57 pm Post subject: Re: Re - To sign or not to sign? |
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| KimO wrote: | | Ahhh! I see - and why is it you feel signing db doesn't 'take credit'? |
Hmmm...never thought of that |
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artfound
Joined: 26 Dec 2008
Posts: 23
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Posted: Fri Dec 26, 2008 4:02 pm Post subject: Re - To sign or not to sign? |
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As an art collector I always vouch for clearly written signatures. Paintings live longer than people plus they travel distances in the modern world and if they are unsigned, or signed by the initials it is often impossible to work out who the hell the artist is or was. Signing at the back should be done IN ADDITION TO signing the top. As time goes by paintings change hands, the history disappear and often paintings are pasted on board ( I hate this) or on another canvas and your signature at the back is gone. The signature MUST be readable. Have a look, I have a humble collection of art, acquired at the tips, op-shops, flea markets and most of the pieces are very hard to identify despite the fact that they are not that old and most of them are Australian. Would you like this to happen to your art???
http://artfound.livejournal.com |
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sunfire
Joined: 01 Mar 2008
Posts: 1430
Location: Toodyay
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Posted: Fri Dec 26, 2008 5:40 pm Post subject: Re - To sign or not to sign? |
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Yes, I agree with you about identifying your work for ( hopefully ) someone in the future, having been a collector of many things in the past, I have learned how wonderful it was too find something actually with a date on & sometimes even a name. To be able to date something age wise precisely was great, & often shot down someone else's opinion that it wasn't that old.
I sign my work with my full name, front & back, but keeping the name on the front fairly blended into the painting, by keeping it small & useing colours that tie into the picture. I also add the year on the back. |
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Cat
Joined: 16 Mar 2006
Posts: 71
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Posted: Sat Dec 27, 2008 1:16 am Post subject: Re: Re - To sign or not to sign? |
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| signing is part of the process.. well the ritual for me. It marks the completion of a creative journey. On occasion I will sign in the other corner or use initials instead if the sig detracts from the image. |
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nefersartra
Joined: 05 Jul 2006
Posts: 404
Location: bundaberg
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Posted: Sat Dec 27, 2008 8:47 am Post subject: Re - To sign or not to sign? |
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| I sign mine on the front and in a spot that wont distract from the painting. I don't like big sigs I feel they distract from the painting. |
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Steve Gray
Joined: 17 Aug 2008
Posts: 1569
Location: Geelong
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Posted: Sat Dec 27, 2008 1:47 pm Post subject: Re - To sign or not to sign? |
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| I get sick of slick big signatures, perhaps I'm jealous... I can't sign with a brush to save myself, so a blocky signature is as good as it gets. |
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