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Nishart
Joined: 29 Mar 2007
Posts: 116
Location: Victoria
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Posted: Wed May 26, 2010 12:17 am Post subject: Re - What makes a good canvas and why. |
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Actually thats a good question. Its been very handy to know more about the quality of the canvases we purchase out there.
I was told by a staff member at a good quality art supply store that some of the cheaper canvases are just plastic imprinted with the image or indentation of cotton so as to give the impression or look of material when its stretched onto a canvas but all it is is plastic not material. (not sure of the accuracy of this info. Can anyone verify this stuff is being dumpd in Aust too?)
This guy reckons you can tell by looking at the back of the canvas and the flexibility of the canvas. How do you tell the fake canvases, from the cheap ones, from the medium quality ones etc? I have looked at various places selling canvases and i am finding it difficult to identify what is no good or if it is just plastic pretending to be real canvas.
Cheap canvases are great for practice but how do you identify a medium to higher medium quality canvas for use when wanting to sell what u paint? Or should you never buy from anyone but a good rep art store? |
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Tango
Joined: 06 Mar 2006
Posts: 1360
Location: Melbourne
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Posted: Wed May 26, 2010 9:07 am Post subject: Re - What makes a good canvas and why. |
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| Nishart the irony is that a cheap ''plastic'' canvas may out last a cotton one as cotton and linen are both of vegetable origin and so will eventually deterioate where as the synthetic plastic will just keep on keeping on, and this is why I am giving polyester canvas a try out as it is supposed to be archivally superior to cotton or linen ,,, plus it's a whole lot cheaper... |
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Devilbiss
Joined: 06 Jul 2007
Posts: 3214
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Posted: Wed May 26, 2010 10:51 am Post subject: Re: Re - What makes a good canvas and why. |
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| jspinella2000 wrote: | I use canvas boards a lot. I find these really easy to paint on. Is there anything wrong with using these boards? I generally choose well known brands and use Gesso to prime them before I paint with oils.
Kind regards
Joseph Spinella
http://www.josephspinellaart.com/tram-art.htm |
It’s a problem if they get wet. This can happen if they are stored in the wrong place.
I have seen them buckle and turn convex / concave in the frame. This will happen if the frame is tight against the edge of the canvas board, so when weather conditions change and the canvas board expands, the edges of the canvas boards are held rigid so the centre of the board either pops out or in.
I think most prospective buyers would prefer to purchase paintings done on canvas or linen as apposed to canvas boards.
I agree that Belgian linen is the best surface to paint on and the most archival but I have had problems with it going slack during periods of high humidity or prolonged rain.
But linen is tough stuff, it reminds me of Kevlar, I think you could almost make bullet proof vests out of it. |
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Boris01
Joined: 18 Jun 2008
Posts: 228
Location: Western Australia
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Posted: Wed May 26, 2010 5:37 pm Post subject: Re - What makes a good canvas and why. |
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| has anyone tried painting on hemp canvas ? |
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Devilbiss
Joined: 06 Jul 2007
Posts: 3214
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Posted: Wed May 26, 2010 5:55 pm Post subject: Re: Re - What makes a good canvas and why. |
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| Boris01 wrote: | | has anyone tried painting on hemp canvas ? |
I did't know there was such a thing. |
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Tango
Joined: 06 Mar 2006
Posts: 1360
Location: Melbourne
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Posted: Wed May 26, 2010 7:07 pm Post subject: Re - What makes a good canvas and why. |
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| No I've never seen it either, but from the attached link I've found out that hemp is considered as good as linen if not better , and that Van Gogh & Rembrandt used it. http://www.art-handbook.com/surfaces.html |
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Boris01
Joined: 18 Jun 2008
Posts: 228
Location: Western Australia
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Posted: Wed May 26, 2010 7:44 pm Post subject: Re - What makes a good canvas and why. |
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| yeah Ive been planning on buying some for a couple years, just wanted to see if anyone had any experience painting on it |
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art8dave
Joined: 01 May 2006
Posts: 1333
Location: Sydney
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Posted: Fri May 28, 2010 12:59 pm Post subject: Re - What makes a good canvas and why. |
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| Not sure about using hemp...... jute (which is a form of hessian) has been used as a cotton/linen canvas substitute..... jute is a very interesting surface to paint on, but, will go brittle over time |
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Boris01
Joined: 18 Jun 2008
Posts: 228
Location: Western Australia
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Posted: Fri May 28, 2010 3:26 pm Post subject: Re - What makes a good canvas and why. |
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Jute is awful stuff to paint on ( for that exact reason - it goes brittle )
Hemp is looking like it last longer than linen even from what Ive read
samples are in the post, but its looking like about $27 a metre though, I'll see how much I like the look of the samples when they get here and probably order a couple metres of each to do tests on
anyone just starting out looking for a nice heavy canvas ( Ive tried the stretch test on it that was in Tango's link ) and not wanting to pay over the top art store prices :
Bunnings drop sheets are really nice thick cotton canvas ( I checked with the manufacturer ), I found a few bigger ones ( 3 x 4m ) that might have been old stock - they dont have the plastic backing that alot of dropsheets in hardware stores have .
Keep an eye out when youre in B and try find dropsheets with no plastic backing
I'd recommend rabbit skinning and priming it like normal, but its gonna be sooo much cheaper - mine worked out to $4 sqm |
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AvG
Joined: 17 Sep 2005
Posts: 1912
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Posted: Sat May 29, 2010 7:25 am Post subject: Re: Re - What makes a good canvas and why. |
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| Boris01 wrote: | anyone just starting out looking for a nice heavy canvas ( Ive tried the stretch test on it that was in Tango's link ) and not wanting to pay over the top art store prices :
Bunnings drop sheets are really nice thick cotton canvas ( I checked with the manufacturer ), I found a few bigger ones ( 3 x 4m ) that might have been old stock - they dont have the plastic backing that alot of dropsheets in hardware stores have .
Keep an eye out when youre in B and try find dropsheets with no plastic backing
I'd recommend rabbit skinning and priming it like normal, but its gonna be sooo much cheaper - mine worked out to $4 sqm |
WHen I was at art school there was a Saddlery (Horse supplies store) nearby, closer than any art supplies store and all of us painting students bought our canvas from them. They had 10oz, and I think 12oz too 100% cotton canvas. So Saddlery's are another option (of course there was no Bunnigs back then....which makes me feel old). |
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Devilbiss
Joined: 06 Jul 2007
Posts: 3214
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Posted: Sat May 29, 2010 11:41 am Post subject: Re - What makes a good canvas and why. |
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| Ahhh the days before Bunnigs. |
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belle2
Joined: 21 Jan 2010
Posts: 189
Location: Newcastle
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Posted: Sat May 29, 2010 12:26 pm Post subject: Re - What makes a good canvas and why. |
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To tell plastic from canvas light a match against a corner bit. If it melts, it is plastic, if not it is canvas.
Interesting point about the drop sheets from Bunnings. |
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Boris01
Joined: 18 Jun 2008
Posts: 228
Location: Western Australia
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Posted: Sat May 29, 2010 10:36 pm Post subject: Re - What makes a good canvas and why. |
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just did a burn test on the big bunnings dropsheet Ive got - its definitely cotton same as my 100% cotton canvas
smelt the same , burnt the same
then I did a burn test on the 100% hemp canvas samples I just got in the mail - smells like burning wood ( no, I am not now halucinating and hearing hendrix music )
its not as thick as I'd hoped , the place I got it from said is 12oz, although its hard to tell from the tiny sample
guess I'll just buy a couple metres next week and see how it stretches up |
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marri
Joined: 28 Aug 2009
Posts: 267
Location: Western Australia
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Posted: Sun May 30, 2010 12:25 pm Post subject: Re - What makes a good canvas and why. |
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When it comes down to it doesn't it depend on what you are going to use it for. I use stretched canvas because it is lighter than board and I don't have to frame it. I texture with gesso and pour more than paint, so the tooth and feel of the surface does not really matter. Acid is the enemy, linen, canvas, hemp, will outlast me if acid free (although there has to be some acid leaching from pine sretchers I would think). SO a good canvas for me is acid free, won't warp, and is cheap.
I buy the monte mart professional series - they are cheap, acid free, and have kiln dried stretchers. I have never had one warp. |
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Boris01
Joined: 18 Jun 2008
Posts: 228
Location: Western Australia
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Posted: Sun May 30, 2010 2:01 pm Post subject: Re - What makes a good canvas and why. |
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Ive recently restretched 40 of the montemarte "professional" series on good quality stretchers for an artist who painted on them a year ago and had them all warp after suffering the indignity of being stored in his room temperature studio
on a fair few of them the canvas at the back where it stretches around the stretcher bars had become extremely brittle
he puts his paint on pretty thick too - acrylics
they look good when you buy them and seem fine when you paint on them, but they dont even come close to standing up to the test of time
but hey, theyre cheap and they come from china, they must be good |
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