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vsulzer26
Joined: 09 May 2009
Posts: 1
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Posted: Sat May 09, 2009 2:29 am Post subject: acetate |
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| i'm looking to do some drypoint on acetate. I live in a small town and the art store doesn't carry acetate. will sheets made for overhead projectors work, you know the kind you write on with marker... didn't know if that would be too thin or not. |
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gggraph
Joined: 25 Jan 2007
Posts: 2061
Location: In front of the Computer.
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Posted: Sat May 09, 2009 9:59 am Post subject: Re - acetate |
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I don't know much about drypoint, but I thought it was not unlike pencil in that you needed a substrate that had some sort of tooth to it.
GA (Wet Media) Acetate has a thin gelatin coating which allows water-based media to take on it. To the best of my knowledge OHP film does not, although it will take solvent-based markers. Obviously, there's also a size limit - OHP film is A4 only wheras GA Acetate used to come in up to A1.
You could try Dean's Art, Riot Art or Eckersley's - they may do mail order. You may have to contact them as it's not listed on their web site (but most things aren't)
Cheers
Grant |
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Steve Gray
Joined: 17 Aug 2008
Posts: 1569
Location: Geelong
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Posted: Mon May 11, 2009 12:08 pm Post subject: Re - acetate |
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Drypoint generally is about creating a burr (a scratch on the plate with a raised edge) so the ink sticks to the burr, rather than an etching where the ink is in the lines and pressed out.
So... if the acetate can hold a burr, then go for it. (I doubt it though.) |
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Chrissy D
Joined: 12 Jan 2006
Posts: 1048
Location: Queensland
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Posted: Tue May 26, 2009 9:56 pm Post subject: Re - acetate |
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OHP sheets are too thin, but if you use some spray adhesive to both sides and glue onto a 3mm thick sheet of cardboard it will allow you to make a deeper burr. The pate with buckle/curve a little but when you use the press to print that wont matter.
Acetate is good because it is that bit thicker.
You can also use thin sheets of aluminium. What at TAFE in my printmaking class we got ours from the local newspaper as they throw the old news plates away at the end of the day.
Be creative. Think of other ways. |
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jet_james
Joined: 30 Aug 2006
Posts: 36
Location: Capricorn Coast
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Posted: Thu Jul 22, 2010 10:04 pm Post subject: Re - acetate |
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| I use 'pasteboard' to create my dry point etchings and collagraphs. I source it from Spot light in the craft section, and its cheap to purchase. Its the same material as cereal boxes, with a plastic glossy film protecting the card. |
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Mojo
Joined: 01 Jun 2010
Posts: 20
Location: Melbourne
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Posted: Thu Jul 22, 2010 10:45 pm Post subject: Re - acetate |
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| Jet James - what sort of press do you use? |
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jet_james
Joined: 30 Aug 2006
Posts: 36
Location: Capricorn Coast
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Posted: Fri Jul 23, 2010 8:37 am Post subject: Re: Re - acetate |
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| Mojo wrote: | | Jet James - what sort of press do you use? |
My studio press is a MES , economy range, steel bed press. I also use a large enjay press for my larger prints at a print studio in Rockhampton. |
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Eug
Joined: 15 Jun 2010
Posts: 206
Location: Melbourne
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Posted: Fri Jul 23, 2010 10:39 pm Post subject: Re - acetate |
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| Hi, my TAFE class has just completed our first works using drypoint. Some of us used the acetate sheets, and some used "old fashioned" copper plates. I guess choice of materials is pretty wide open as long as you get the burr for the ink to get into and under. I think if I pursue drypoint I would use copper plates, as there seems to be more potential to re-work areas and further develop the plate. But we're doing hard and soft ground etchings now, so it's fun and games in the acid room! |
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