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Lauriek
Joined: 08 Nov 2009
Posts: 9
Location: Melbourne
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Posted: Wed Nov 11, 2009 3:56 am Post subject: Commissions and other costs |
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Being new to this forum and now starting to sell my work - how/what do I charge if I've been commissioned to do a work? Is there a set formula, for example, cost of materials + 50% (whatever) then say a cost per hour? How do the rest of you do it?
Next question - how do you price your work? I went to a gallery opening on the weekend, got a list of the artists' works and there were the prices attached. Should I go around to various galleries and see what sell for what prices? |
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marri
Joined: 28 Aug 2009
Posts: 219
Location: Western Australia
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Posted: Fri Nov 13, 2009 8:22 pm Post subject: Re - Commissions and other costs |
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I will post a reply although I am probably not the best qualified here to do so. Like all commodities, art is worth what the market is prepared to pay. I have talked to people who started out by setting very low prices on their art to get sales, then ramped the cost up as they (a) got a better idea of what the market was prepared to pay and (b) got a name for themselves. Others set the a higher price and concentrate on building up a solid body of work to exhibit. For your commission you might want to look at similar works and negotiate with your purchaser. If you want to work out a formula that might be a sarting point - I have not heard of a "set" formula... too many variables.
Negotiate - set your goal amount - add a margin to negotiate away (50%?), sit the client down with wine, coffee, etc - and start talking dirty. |
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sunfire
Joined: 01 Mar 2008
Posts: 1156
Location: Toodyay
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Posted: Fri Nov 13, 2009 8:55 pm Post subject: Re - Commissions and other costs |
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Somewhere in this forum, most of this has been discussed with some interesting results, but I haven't had time to try to locate it again, perhaps try a search. |
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sunfire
Joined: 01 Mar 2008
Posts: 1156
Location: Toodyay
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Amandav
Joined: 17 Sep 2005
Posts: 1835
Location: Hervey Bay
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Posted: Sat Nov 14, 2009 6:50 am Post subject: Re: Commissions and other costs |
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| Lauriek wrote: | Being new to this forum and now starting to sell my work - how/what do I charge if I've been commissioned to do a work? Is there a set formula, for example, cost of materials + 50% (whatever) then say a cost per hour? How do the rest of you do it?
Next question - how do you price your work? I went to a gallery opening on the weekend, got a list of the artists' works and there were the prices attached. Should I go around to various galleries and see what sell for what prices?  |
If you are new to selling your work that can be a good way to help you establish a starting point for your prices. Look for galleries showing artist's who are at a similar career stage to your own - education, exhibition history etc. Artist run spaces and graduate exhibitions can be good for finding early career artists.
None of these pricelists will ultimately determine what prices you apply to your work but they will give you a better understanding of pricing generally and that is bound to help.
As for the commission. I don't do commissions but from what I have heard I believe you would normally apply your set price plus a bit of a premium. Get a deposit upfront as well as a well detailed breif and agreement as to timing for delivery, keep the buyer up to date with progress and rest of the money on satisfactory completion.
If you want to be negotiable I think a 10% margin is more desirable than giving 50% leeway.
Daniel are you out there to answer this commission question? |
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gggraph
Joined: 25 Jan 2007
Posts: 1793
Location: In front of the Computer.
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Posted: Sat Nov 14, 2009 8:23 am Post subject: Re - Commissions and other costs |
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I haven't (yet) had a 'fine' art commission, but I've been doing commercial illustration for some time.
Amanda has pretty much summed it up - in my case I work out the probable hours the work will take, time my hourly rate, plus materials. The same principals apply for fine art, except you may have framing cots as well, and the hourly rate tends to be lower
Something I would add from the commercial side, is to take EVERY opportunity (if it's a major commission) to make sure the client is going to be happy with the final piece. I submit a rough, a detailed line drawing, a colour study and technique examples before I start on the real job. I have to do these anyway, and showing them to the client (A) makes them feel part of the process and (B) helps avoid nasty surprises in the end like "Oh, I thought you'd put a sailing ship in the background, instead of the lighthouse". Many clients can see things in their head, and assume you can see it too...
Or alternatively, some of my clients can't see anything in their head and have to see it on paper to realise it's a horrible mistake...*
Cheers
Grant
* sometime, I'll tell you about the sports car, in a T-shirt, ordering a drink at the bar... |
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thecatsgrin
Joined: 18 Apr 2009
Posts: 2163
Location: Gippsland
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Posted: Sat Nov 14, 2009 6:25 pm Post subject: Re: Re - Commissions and other costs |
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* sometime, I'll tell you about the sports car, in a T-shirt, ordering a drink at the bar...
When are you starting that thread Grant??!
I began pricing based on what I was happy with, which turned out to be very cheap. I have since raised my prices, on some sizes I have more than doubled them, but they are still on the cheap side.
When I get a bit more experience then I would perhaps do as Amanda said and charge similar to similar type work etc...
There is a cents per square cm rule that some people follow (ie. 5 cents per square centimeter regardless of the time it takes to paint the picture) But I dont follow that at all... It may work for some, but is not for me!
I am pretty slack in taking deposits for comissions but I highly recommend doing so, and as mentioned, charge a little extra to normal, as there is usually alot of fuss and bother in bringing someone elses vision to life!
At the moment I am being tortured by the prospect of a commission I have to do, but i wont knock it... there may be a time I want more commissions of that nature.
Good luck! |
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